Last week, while visiting the New Orleans Museum of Art (NOMA), I was immediately captivated by the exhibit "John Scott: Blues Poem for the Urban Landscape" in the Great Hall. Scott's monumental woodcut prints, which capture the very soul of New Orleans, confronted me in a stimulating and thought-provoking way. As I studied his work, I couldn't help but notice how his creative process embodied the concept of "spherical thinking," a non-linear approach to simultaneously looking at the past, present, and future. This idea resonated with me as a Turbo Thinker, and I began to see parallels between Scott's artistic mindset and the way our minds work.

To create each print, Scott carved into the surface of large sheets of plywood with a power saw and routing tools, creating lines and forms that are impressionistic yet visually imposing. The composite nature of these prints exemplifies Scott's jazz-inspired explorations of spherical thinking. Like a jazz musician, Scott improvised, riffed, and layered elements to create a cohesive whole that tells a story — in this case, the story of New Orleans.